Photo of Esplanade Theater - Singapore

This photo was taken from Marina Mandarin Hotel - Singapore by me...
7 September 2006
Panasonic-Lumix FZ30

Photography And The Cell Phone

Nearly every modern cell phone (telefone celular) has a camera feature. Though they are far away from modern age digital camera, cell phone cameras can still be used to produce good quality photographs.

The cell phone (telefone celular) has some additional features that are not yet available on digital cameras and so may even be able to provide some advantages. The best way to obtain quality photographs is to understand the specifications that are available on these devices, enabling you to make an informed decision when choosing your mobile product, ensuring that it meets your requirements.

The size of the cell phone (telefone celular) screen will affect the quality of viewing on your phone only. It will not affect the quality of your photograph when downloaded to your computer. However, the pixels that your cell phone camera uses will affect the quality of the image a great deal. The minimum resolution you should use is 1.0 mega pixels if photographic images are an important feature for you.

Higher resolution of 3.0 mega pixels and up is available on current cell phones (telefone celular). The higher the number of pixels, the better quality the photographic image will be when reproduced. This is because the pixels are the amount of dots used to create the image; the more that are used, the less the image will break up when enlarged.

The memory size of your device will directly affect the number of photographs that you can store. This will affect your output, and also give you less scope for getting that perfect shot. Your device will detail how much memory it contains, and this amount is usually very low, to store only a few photographic images.

However, the memory capacity can be supplemented by purchasing a memory card that is compatible with your cell phone (telefone celular). The largest currently available is as much as 2 Gigabytes, which can store large numbers of photographs. The exact number will vary as the number of pixels directly affects the amount of memory used. The settings of your picture image can often be changed also. The picture quality is better the higher the resolution you choose. Lower resolutions take up less memory and so can be useful if you just want to send images to friends and family, if are running low on space or if the quality is not of importance.

It is also important that you can store your pictures. If you purchase a cell phone memory card (telefone celular), make sure that it also be compatible with your computer or that it can be hooked up to a USB that is computer compatible. Your device should also come with a USB that you can use to download your pictures. This enables you to clear your cell phone regularly, maximising the use of the camera feature. Once stored, your photographs can be manipulated using programs such as Photoshop, as with any other photographic image.

A major advantage of a camera is that it can be used to send pictures direct to friends and family with a compatible cell phone (telefone celular). These can be sent via multi media messages, which although relatively expensive are now appearing in cell phone contracts as part of a package.

Digital photos can also be sent via email if the cell phone (telefone celular) is internet enabled. Any photographic image can be sent for free via infra red or Bluetooth to another compatible device. This is an excellent way of sharing images, without the need for downloading first, which is both fast and functional. This means cell phones do have an advantage over other photographic devices to a degree, as they do not yet have this feature.

by: Roberto Sedycias

Beginning In Photography: Choosing A Camera

You’ve been snapping away with your nifty little point and shoot camera for a while now and you’ve discovered you really like taking pictures and want to get more creative and have more control over your photos. Naturally the next step is to upgrade to an SLR camera. But which one? There is a ridiculous number of products out there with all sorts of buttons and dials that do this or that. This article attempts to give a brief overview of the things that are actually important when considering which camera to buy.

Firstly, let’s dispel one of the most common myths associated with upgrading equipment. Buying a new camera will not make you a better photographer. Repeat: it will NOT make you a better photographer. Not instantly, not in 2 years time, not in 10 years. What will make you a better photographer is you. Your willingness to learn and develop your skills. Sure a high end camera will give you more control over your image making, but that’s just it; its you controlling the camera, and therefore the end image. Ok, now that we’re on the same track, a few things to think about.

How many megapixels do I need?
We are going to assume that you are looking at digital cameras here, although I should point out that there are some excellent film cameras around at much less expense. So don’t discount film altogether (it’s not dead just yet!). But to answer the question, we first need to answer another: What do you want to do with your photos? If you only want to post your photos on the web, e-mail them or make small prints to put in a photo album, the resolution you need for this is quite low. To give you an idea, a camera with 2 megapixels will create an image that can make a good quality 6 x 4 print (standard photo album size). Most entry level SLR cameras start at around 6 megapixels. Therefore if this is all you want to do with your images, the amount of megapixels does not need to be a major concern. If, however, you want to make large sized prints, you may need a higher resolution camera. While entry level SLR’s often produce very good quality prints up to a certain size, more pixels gives you the freedom of being able to enlarge even further. While image software programs can increase the size of your photos they will lose some quality. Starting with a larger image means that fewer pixels are added by the program and less quality is lost.

Is brand important?
Not as important as some would have you think. While photographers will continue to debate the Nikon vs Canon issue, my belief is that it is a moot point. Both companies produce some excellent products and some pretty ordinary ones. What should be foremost in your mind is build quality. How many plastic parts does the camera have versus metal ones? Metal parts can be replaced, while plastic parts are usually set into a mould and cannot be. Potentially this could mean the difference between having to buy a new part or a new camera a few years down the track. Check how the camera feels in your hand. If it feels solid and sturdy, it probably is. Quality between brands doesn’t differ greatly until you get into the higher end cameras. This is where Nikon and Canon come to the fore and other brands that don’t target this market drop off. However if you decide you don’t need a higher end camera, don’t discount other brands.

What about features?
Cameras come with all sorts of different modes and features. Some of them seem to be included for no other reason than to be a selling point for that particular model. It takes a little research to discern which are actually going to be useful. There are, however, some that you should factor into your considerations. Firstly, what mode settings does the camera have? Many entry level SLR’s have similar settings to point and shoot cameras. I.e. Portrait, landscape, low light etc. While these make things easy, the point of moving up to an SLR camera is to gain more control over your photos. You will never gain the control you want without learning how to use a camera in full manual mode.

Other features, such as a built if flash or cable release socket, may be important to you depending on the type of photography you want to do. If you like to shoot portraits, a built in flash can be a huge help in lighting shadows. If you are interested in landscape photography, you will at some point want to set you camera up on a tripod to capture a low light scene. Using a cable release allows you to press the shutter without actually touching the camera, removing the camera shake that blurs a picture.

One final consideration.

This is possibly the most important of all. Make sure the camera you choose is comfortable and easy to use. Check that you can reach all the buttons easily while shooting and that the dial and menu configurations are logical. This allows you to learn your gear easily so that you can concentrate on the most important thing: taking pictures.

by: Mark Eden

Nude Photography As A Profession

Many keen and experienced photographers have grown to adore nude photography after as little as one or two shoots. The human form can be wonderous and continuously changing. Equally, the industry of nude art photography does have its rogues but when you pass the the boundary of lust and wonder, you can be left with a continuing desire to improve the artform of nude photography for the rest of your life.

Of course, there are major hurdles to overcome to enter nude photography, not least of which is the need to practise technique. By its very nature there has to be at least one subject, and the big problem for the photographer here is image. To some, the image of a nude photographer is tied in with the “dirty Macintosh” brigade, with the false wig, dark glasses and dark hat.

Not everyone believes the adage that an erotic photograph, does not have to be nude, and a nude photograph is not necessarily erotic. The biggest challenge is to find a suitable model, and certainly in small town rural backwater areas, it is not the brightest propaganda move to put an advertisement in the Post Office window. It is also suspect to approach someone in the street.

Impeccable credentials help here, an image of a bona fide photographer, with a studio, and a business card with a portfolio. A professionally created business card also helps; a ripped off part of an old envelope invites suspicion. It is not necessary to have a portfolio of nudes, but it is essential as an aid of creating the feeling of trust. It can be very helpful to not tell a prospective model what you do, but show them, and depending on their responses take it from there.

A lot of nude photographers start with a self portrait an this is better than nothing in some cases. There are several other methods that can be used to find people to model. Your first option is to hire professional (glamour) models. That can be expensive, and they're not often familiar with that type of work. The second option is to hire amateur models, or perhaps even nude still life models, the problem here is that the latter will have no inhibitions taking their clothes off, and may be able to sit still and hold a specific pose for long periods of time, however they may not be the best models to animate themselves. The third option is not to pay a model at all, but find someone with a vested interest in making a portfolio work. Whilst thinking about this matter during the research for this article it occurred to me, that the ideal person, would be someone who would be prepared to model in exchange for a portfolio, or other photographic service. In other words, a model who has a reason to make the session work will undoubtedly put more effort into overcoming any technical difficulties. Perhaps you know someone who is pregnant who might want to model in exchange for the photos.

Secondly that type of model will produce better results, than some eighteen year olds with a perfect body and a bad attitude. A personal model with enthusiasm to explore different perspectives and techniques has to produce better results than a wooden, but perfect doll. It does not alter the fact that your model must be at peace with the thought of nude modelling as a whole, but a sensitive relationship with the photographer will work wonders here. The rules are no different for a photographer here than a portrait photographer, he or she must first have self confidence. If you cannot get that across to your model he or she will be reluctant to give it their best shot.

This type of photography is striving for a look that is natural, and even has a look that it has not been posed for at all. Comfort is essential not just physical comfort though that is important, but mental comfort, the model must be able to understand the concept behind what you are trying to do so that she can co-operate. You have to take the time to explain the techniques of flattering compositions, but equally the model has to work on being fluid and graceful in these motions.

A good relationship with your model built on confidence is essential when you come to evaluate and criticise the work. Your first session will create the tone for future work, but that is when a model will be her most nervous, a way of getting over this barrier might be to ask her to come accompanied, and that may make for a lighter more relaxed session.

Working with the same model over a number of sessions builds up a rapport, and helps the model learn what works in the images, and what doesn't. She has to be able to see the completed image, before this is really possible. As the model becomes more familiar with how you work and experiences the crucial processes of making an image, the model becomes better at generating poses which work for you, and on the whole, the number of successful images increases.

The locations for this type of photography is not important in terms of the finished image, but it needs to be a little circumspect, or you have to take along a person who watches for stray wanderers if it is outdoors. Lighting normally seems to be better if it is natural, but a single candle can be effective particularly with the use of an older model.

It is important to think ahead before this type of assignment and instruct a model to wear loose clothing and possibly no underwear as strap marks into the skin can take a long time to subside and will ruin the final shots.

Once you have managed to break into this type of work there are many stock libraries that specialise in this type of work.

by: Roy Barker

Photography and the Great Outdoors

Combining photography with the passion of hiking, biking and mountain climbing can result in the most incredible photographs imaginable. Whether it's ice climbing in the Rockies, with your camera bag packed safely away, until you reach the summit where you have a breathtaking panoramic view of the frozen earth spread out as far as the eye can see. Or a leisurely springtime hike up a flower carpeted Pocono hillside with your camera close at hand to catch that pheasant or covey of quail. The outdoors and photography are a perfect match.

If you're a week-end photographer who can't wait to get out of the city and become one with nature, there are countless opportunities that will allow you to fulfill your desire to "get away" and get that "shot of a lifetime".

Consider those who are lucky enough to live in Seattle, Washington where you can leave work on a Friday afternoon and be standing on the majestic and rugged coastline, removing your camera and tripod from their bag in time to be setting up to focus on one of the most beautiful sunsets on earth. The next morning, while enjoying your first cup of coffee, you could be snapping pictures of the Grey whales which migrate north along the Washington coast between February and April every year.

Or maybe mountain scenery is your first love and you are fortunate enough to live in the Yellowstone area of Montana were the wildlife is phenomenal. Grizzly, coyote, elk.... big horned sheep playing on the mountainside. Buffalo grazing peacefully, as they must have a 100 years ago. This is truly Big Sky Country where you can catch a glimpse of a graceful eagle gliding silently through the trees. These are pictures most people can only see in a magazine, not through their camera lens on a brisk autumn morning.

Remember it's important to research not only where you're going to be photographing and what camera equipment you'll be using, but also the bags, backpacks and pouches to which you entrust your valuable cameras, lenses, tripods and accessories The touring bicyclist needs to invest in a dry sack in the event he encounters inclement weather, but the young photographer hiking through the Sierra Nevada, in search of the various species of blooming cactus, probably would be in need of the backpack with room for her water bottles. Look for quality, durability and functionality.

Whatever your passion, wherever you call home. There are beautiful pictures waiting to be taken. That horse pasture you are fortunate enough to pass on your way to work every day. Stop; take a good look. I bet you'll see a terrific photograph. One you'd probably be in awe of if you saw it in a magazine. So pack up those camera bags and keep your equipment handy. You never know when that one perfect picture will appear.

by: Suzanne VanDegrift

Basic Skills In Digital Photography

Basically, there is not much difference between using a digital camera and a manual camera. In fact, most experts believe that using a digital camera actually spoils the photographer, making everything so easy for him. Still, there are many who remain daunted by the prospects of using a digital camera especially when their training comes mainly from manual photography.

There are a number of skills that one needs to learn before switching to the digital format. Read through and find out some of the things that you need to develop.

Computer skills
Digital photography involves dealing with computers. In fact, operating the digital camera is like operating a small computer. There are functions that are actually similar to the computer like formatting and delete and a whole lot of other things. You need to be familiar with the functions in order to be able to maximize the digital camera.

In addition, you also need to be really familiar with computer when storing your picture files and adjusting your photos. With this, you need to be able to perform computer tasks such as cutting, pasting, copying, renaming and opening and closing of files and folders.

There are a number of good books that provide tutorials that will enhance computer skills as well as teach you some of the basics in using the computer with regards to photography. Some books in photography, digital photography will for sure contain sections that deal with computers.

Knowledge in graphic programs
One can actually adjust photos and create a whole lot of effects with the use of graphic programs such as Photoshop. One can actually change the size of the photo, alter the pixels and even change the format into different file types. One good thing with digital cameras is the fact that one can actually alter the pictures taken before printing it.

With the use of these programs, one can erase flaws, sharpen some features of the photo, blur the background and even transfer one photo with another. If one is really good, you can even create one new photo by cutting different elements in various photos and put them all together.

Working knowledge with the various functions of the camera
As mentioned before, working with a digital camera is similar to working with a small computer. In order to maximize the digital camera, you need to master the functions including adjusting the various levels such as the shutter speed, the brightness, the contrast. There are even digital cameras that you can actually use as a manual camera; you just need to learn to adjust the functions.

by: Low Jeremy